between 2005 and 2008 tim tetzner’s handclaps project was an ever-expanding databank of film and video about musical phenomena. The associative, non-linear and modular format of Handclaps allowed changing themes to be examined in their respective contexts
its comprehensive programs consisted of music docu-mentation, art videos and music video clips that gave descriptions of specific contexts, investigated the iconography of musical phenomena, cross-referenced individual artists and analyzed their strategies and social repercussions.